High in the dry trunk of several palm trees, Rafael Trelles is able to create beauty from death. Looking pass the aridness of the palm trees, in his sculpture; Rebirth of Dorado’s Palm Trees; the dry wood is represented by rebirth as a metaphor of creation. Trelles’ sculpture involves plastic tubes that were painted with aerosol in colors attractive to the eye with iron rods inside them in order to properly freeze and mimic the movement of the palms and flat forms made of zinc also painted with attractive colored aerosol. Thus, the intention of the sculpture is to resemble a frozen swing in order to delight one in the ephemeral instant of rebirth through art. “[The Rebirth of Dorado’s Palm Trees] summons one to imagine the rebirth of the dead palm trees in order to envisage for an instant, while it is being aesthetically contemplated, the triumphant possibility of art and love beating death”.
Project Category: Art in Golf 2012
Vientre Compartido
Vientre Compartido, the Suarez brothers, represent nature’s cycle of life regeneration in Nicho. The sculptures have an organic configuration, like phallic totems with cavities understood as mouths or vaginas, which reinforce the biological concept of the artists’ proposal: the interest for ecological art and the idea of nourishment. As twin brothers, the Suarez must feel the need to let the world know the importance of an evolutionary ecosystem. Not only did they create housing for animals but also a drawing made of seeds allowing the growth and expansion of their ephemeral art. “By discovering the ability to create with the minimum, one becomes worthy of the uttermost possibilities”.
Cristina Salas
Muneca Viajera’s ephemeral evolution grasps the concept of, as mentioned before, regeneration: its fabrics decompose on the ground as flowers replace the strings’ colors. The process this doll goes through is most definitely a mimic of life through biophilia, meaning to have innate love for life and the natural world in it. “The project is mostly about the journey of the piece from Ecuador to Puerto Rico while reflecting about the cultural changes within its trip”.
Chemi Rosado Seijo
It upsets the rules of the game [golf] and the ecosystem’s modification made by the course’s designers while intervening as the mimicry some animals possess, camouflage. Chemi Rosado’s piece, Trampa de Arena Verde (Green Sand Trap), is not a sculpture that utilizes physical materials for Rosado dressed up as an activist gardener and covered several sand traps of the golf course in organic green dye with the intention of having grass grow. As a way to challenge the golfer’s eye, from a certain distance the sand trap was distinguishable. Nevertheless, after several weeks it [sand trap] ended up blending with the environment as a way of somehow allowing nature to take control of the surroundings.
Jesús “Bubú” Negrón
The vertical sculpture by Jesus “Bubu” Negron goes by the title Top Flag. The red flag waves high in a thumping pole whose height competes with its surrounding palm trees, allowing the breeze to rock the flag along with the rhythm of the neighboring trees. Although it contributes to a decontextualize idea of art merchandise; since most people believe art is suppose to only be beautiful; the flag also provides a representation of both the pop (criticism, irony, and humor) and surreal (dreams and unconsciousness).
Anaitté Vaccaro
Inspired by the history of Clara Livingston, Vaccaro finds muse to create the digital scenery that is Wind Chime for Clara. The work is a tribute to wind and Clara’s imprint on Puerto Rico. Clara Livingston was one of the pioneer women in aviation and she created the first private airport in the island at Dorado.