1.0arteFITS Foundationhttps://artefits.org/ephemeralartMiruna Dragan • arteFITS Foundationrich600338<blockquote class="wp-embedded-content" data-secret="d5gAWRSL3T"><a href="https://artefits.org/ephemeralart/project/miruna-dragan/">Miruna Dragan</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://artefits.org/ephemeralart/project/miruna-dragan/embed/#?secret=d5gAWRSL3T" width="600" height="338" title="“Miruna Dragan” — arteFITS Foundation" data-secret="d5gAWRSL3T" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
/* <![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://artefits.org/ephemeralart/wp-includes/js/wp-embed.min.js
/* ]]> */
</script>
https://artefits.org/ephemeralart/wp-content/uploads/2019/03/Miruna-Dragan.png1152600Through mosaic patterns, Miruna Dragan’s Fertile Void IX: Infinite Prosperity produces a contradictious parallel form of perspective were the reflection of the mirrors provide an equal opening to two of the farthest points of our existence, up in the sky and into the abyss.The ninth piece in the series Fertile Void, possibly the last, persuaded Dragan to surround its meaning with the mysticism of the number nine.